Motion Conference
Conference Titles
We created titles, interstitials, and end credits for Motion’s final conference through a process of creative collaboration, improvisational design, and in-camera VFX.
For 12 years, the Motion “un-conference” celebrated the art of motion design and the community of creatives who move it forward.
Our concept for the titles aimed to offer up something different, honest, and tactile—using live in-camera effects, projected animations, and experimental cinematography to tell a story about the origins of Motion. Our team worked closely with Christopher Webb of FX WRX to shoot abstractions of the logo hand-made from MDF, cardboard, stone, and metal. The sequence was achieved through an improvised performance acted out on set by our animators. I composed the original score for the piece.
For 12 years, the Motion “un-conference” celebrated the art of motion design and the community of creatives who move it forward.
Our concept for the titles aimed to offer up something different, honest, and tactile—using live in-camera effects, projected animations, and experimental cinematography to tell a story about the origins of Motion. Our team worked closely with Christopher Webb of FX WRX to shoot abstractions of the logo hand-made from MDF, cardboard, stone, and metal. The sequence was achieved through an improvised performance acted out on set by our animators. I composed the original score for the piece.
For 12 years, the Motion “un-conference” celebrated the art of motion design and the community of creatives who move it forward.
Our concept for the titles aimed to offer up something different, honest, and tactile—using live in-camera effects, projected animations, and experimental cinematography to tell a story about the origins of Motion. Our team worked closely with Christopher Webb of FX WRX to shoot abstractions of the logo hand-made from MDF, cardboard, stone, and metal. The sequence was achieved through an improvised performance acted out on set by our animators. I composed the original score for the piece.
Credits
Trollbäck+Company
Alex Moulton, Chief Creative Officer, Composer
Erica Schrager, Executive Producer
Betsy Jones, Senior Producer
Elliott Chaffer, Executive Creative Director
Pat King, Designer, Animator
September Raines, Editor
Asia Hunt, BTS Videography, Editor
FX WRX
Christopher Webb, Cinematographer
Oliver Jevremov, AC
Kristin Murphy, Gaffer
Tim Curtin, Key Grip
Dominick Pietrzak, DIT
Dan Jusino, Rigger
Motion
Becky Padilla, Founder & Director
Elaine Montoya, Chief Imagination Officer
Credits
Trollbäck+Company
Alex Moulton, Chief Creative Officer, Composer
Erica Schrager, Executive Producer
Betsy Jones, Senior Producer
Elliott Chaffer, Executive Creative Director
Pat King, Designer, Animator
September Raines, Editor
Asia Hunt, BTS Videography, Editor
FX WRX
Christopher Webb, Cinematographer
Oliver Jevremov, AC
Kristin Murphy, Gaffer
Tim Curtin, Key Grip
Dominick Pietrzak, DIT
Dan Jusino, Rigger
Motion
Becky Padilla, Founder & Director
Elaine Montoya, Chief Imagination Officer
Credits
Trollbäck+Company
Alex Moulton, Chief Creative Officer, Composer
Erica Schrager, Executive Producer
Betsy Jones, Senior Producer
Elliott Chaffer, Executive Creative Director
Pat King, Designer, Animator
September Raines, Editor
Asia Hunt, BTS Videography, Editor
FX WRX
Christopher Webb, Cinematographer
Oliver Jevremov, AC
Kristin Murphy, Gaffer
Tim Curtin, Key Grip
Dominick Pietrzak, DIT
Dan Jusino, Rigger
Motion
Becky Padilla, Founder & Director
Elaine Montoya, Chief Imagination Officer