Disc Jockey

Short-Form Content

In 2000, Showtime approached Eyeball to create interstitials for the launch of their millennial-targeted Showtime Next channel. As a budding musician and filmmaker, I pitched my dream project: interview ten young DJs and animate shorts-within-shorts of their worst gig ever.

Client

Showtime Next

Agency

Eyeball

Role

Concept, Director, Writer, Editor

Year

2000

We traveled across the country filming DJ Craze, Disco D (RIP), Vinroc, DJ Icon, DJ Charly, Infamous, Reid Speed, Terrac, Star Eyes, and DJ Verb, while back in the studio we designed anime-styled characters and unique styles for each of the prodigious talents.

We traveled across the country filming DJ Craze, Disco D (RIP), Vinroc, DJ Icon, DJ Charly, Infamous, Reid Speed, Terrac, Star Eyes, and DJ Verb, while back in the studio we designed anime-styled characters and unique styles for each of the prodigious talents.

We traveled across the country filming DJ Craze, Disco D (RIP), Vinroc, DJ Icon, DJ Charly, Infamous, Reid Speed, Terrac, Star Eyes, and DJ Verb, while back in the studio we designed anime-styled characters and unique styles for each of the prodigious talents.

DJ Craze

Vinroc

Star Eyes

Disco D

Terrac

DJ Icon

Reid Speed

Infamous

DJ Verb

DJ Charly

2000-2001 was a time of musical convergence. There were scenes for every genre in every city, and yet I learned just how broad the musical influences were for every DJ, regardless of what style they played in clubs. We followed these young and immensely talented DJs from San Francisco to Detroit to New York to Miami. Our stills photographer Ray Weitzenberg captured many unique moments on 35mm on our journey and I’m happy to have unarchived them to share here.

2000-2001 was a time of musical convergence. There were scenes for every genre in every city, and yet I learned just how broad the musical influences were for every DJ, regardless of what style they played in clubs. We followed these young and immensely talented DJs from San Francisco to Detroit to New York to Miami. Our stills photographer Ray Weitzenberg captured many unique moments on 35mm on our journey and I’m happy to have unarchived them to share here.

2000-2001 was a time of musical convergence. There were scenes for every genre in every city, and yet I learned just how broad the musical influences were for every DJ, regardless of what style they played in clubs. We followed these young and immensely talented DJs from San Francisco to Detroit to New York to Miami. Our stills photographer Ray Weitzenberg captured many unique moments on 35mm on our journey and I’m happy to have unarchived them to share here.

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Credits
Eyeball

Limore Shur, Executive Creative Director

Mike Eastwood, Executive Producer

Alex Moulton, Director, Writer, Editor

Tatiana Arocha, Art Director

Julian Bevan, Art Director

Rachel Riggs, Designer, Animator

Stuart Simms, 3D

Kira Kelly, Director of Photography

Ray Weitzenberg, Photographer

Showtime

Crystal Hall, Senior Creative Director

Credits
Eyeball

Limore Shur, Executive Creative Director

Mike Eastwood, Executive Producer

Alex Moulton, Director, Writer, Editor

Tatiana Arocha, Art Director

Julian Bevan, Art Director

Rachel Riggs, Designer, Animator

Stuart Simms, 3D

Kira Kelly, Director of Photography

Ray Weitzenberg, Photographer

Showtime

Crystal Hall, Senior Creative Director

Credits
Eyeball

Limore Shur, Executive Creative Director

Mike Eastwood, Executive Producer

Alex Moulton, Director, Writer, Editor

Tatiana Arocha, Art Director

Julian Bevan, Art Director

Rachel Riggs, Designer, Animator

Stuart Simms, 3D

Kira Kelly, Director of Photography

Ray Weitzenberg, Photographer

Showtime

Crystal Hall, Senior Creative Director

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